Showing posts with label University of Queensland. Show all posts
Showing posts with label University of Queensland. Show all posts

Monday, 25 August 2014

Noëlle Janaczewska


Yellow Yellow Sometimes Blue, 2018. Photo by Teniola Komolafe

Noëlle Janaczewska is Sydney-based playwright, poet, essayist, and the author of The Book of Thistles (UWA Publishing)—part environmental history, part poetry, part memoir. She is the recipient of multiple awards, fellowships and residencies, including the 2020 NSW Premier’s Digital History Prize, a Queensland Premier’s Literary Award, the Griffin Award, ten AWGIE (Australian Writers’ Guild Industry Excellence) Awards and a Windham-Campbell Prize from Yale University for her body of work as a dramatist. Noëlle’s recent productions and publications include: Experiment Street (ABC Radio National, 2019); Yellow Yellow Sometimes Blue (Q Theatre /Joan Sutherland Performing Arts Centre, Sydney, 2018); Seoul City Sue (ABC Radio National, 2018); audio scripts for the National Museum of Australia and the British Museum’s Rome: City and Empire exhibition, and Good With Maps (Siren Theatre Company, multiple seasons 2016 – 2021). Noëlle’s latest book is Scratchland (UWA Publishing Poetry Series, 2020). 

Read more at noelle-janaczewska.com or check out her food blog at eatthetable.com

Noëlle is represented by Cameron Creswell. Contact them at info@cameronsmanagement.com.au

Tuesday, 28 August 2012

Congratulations & Loose Gravel ...


Huge congratulations from 7-ON to Lee Lewis who has just been appointed Artistic Director of the Griffin Theatre Company.

I’m in Brisbane at the moment—this is Noëlle, BTW—and in case you are too, I’m presenting a version of my performance essay Loose Gravel—a poetics this Thursday 30 August at 4:00 pm at the Geoffrey Rush Drama Studio, University of Queensland St Lucia campus. The piece lasts just over half and hour and it’s free, no need to book.

Here’s some info about the piece:

Loose Gravel—a poetics is about gravel and its kin. About ripping stuff out of the ground, and the language that moves in to fill up the gap. It’s a funny and philosophical performance essay about uncertainty as a defining feature of contemporary life. About the materials of the imagination, and the pitfalls and rich disorder of being an associative thinker. It’s about crap places, and growing up in a crap place whose best-known exports are Cliff Richard, Victoria Beckham—and yes, gravel.