Last week, we had our first big 7-On Sleepover: five days
together in Albury-Wodonga, courtesy of HotHouse’s Month In The Country
residency for artists. The project we were focused on is (working- title)
‘Platonic’, an examination of what friendship means. When it comes to
story-telling, romantic relationships get plenty of airing, as do family
relationships. But that staple of human existence, friendship, is often
overlooked. And as we found in Albury, it is an infinitely rich subject.
I don’t want to give too much away here because it’s still
developing in the darkroom of our collective minds (don’t open the door!), but
apart from the great fun of hanging out with buddies for the week, and getting
to know each other better even after eight years working together, what was extraordinary is how deep one can go given time and space. We’ve
been working on ‘Platonic’ for a year, and it even had a rehearsed presentation
courtesy of Augusta Supple and some terrific actors as part of NIDA Independent
last November. But in a few days, being together intensively and talking,
talking, talking, we plunged into new territory – weird, funny,
sad, sinister... the place beyond easy answers. We also were able to exercise possibilities,
to really question ideas we’d previously accepted at face value.
How precious are these resources: places for artists to
retreat briefly from the Outside World and build beyond a three-hour meeting or
a one-day rehearsal. Thank God for them, and may they thrive and last. The last
decade or two has seen a swathe of regional theatres wiped out – which has had
a devastating effect not only on the communities who relied on them to tell
their stories (as opposed to the occasional touring blockbuster presented by
regional arts centres), but on Australian playwrights, who cut their teeth
there. Let’s hope that whoever gets into power on September 7 remembers that a
society without art is not a society worth living in.
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