Tuesday, 21 May 2013



Tuesday.

Ned says...
It's occurred to me that I am involved in a long term love affair with theatre. It began when I was a child and saw my first piece of theatre, a pantomime. It blossomed when I was type cast as a pig in my first acting role and flowered when I was cast as Dorothy in a school production of The Wizard of Oz. The theatre was the place where I felt most at home and, apart from the obvious magic of it, I never felt more alive than when heading off to a rehearsal. The one thing that engaged me in an otherwise disengaged schooling was when I had the chance to be involved in the theatre. It was at school that I wrote my first play. I "produced" and wrote a play instead of studying for the  HSC. When I left school my love affair continued but I was a shy, unconfident suitor and had to settle for directing and performing in extremely dodgy productions in a tiny town on the Queensland border. Love has a way of making choices for you and I moved to the city to pursue my true love. I found, to my surprise, that my lover was more accommodating and acting roles followed. My love affair became a marriage, of sorts, and my plays were produced and acting roles flowed. I was blissfully happy. Then my lover's eyes started to wander and I found myself less and less in demand. Did I lose heart?  A little. But when you're in love you're in love. So, even though my love affair is largely unrequited, I continue to hold a candle for theatre. I continue to write plays, not because I expect my lover to favour me again, but because even unrequited love is impossible to resist.

Monday, 20 May 2013

A Little Help From Our Friends




Hilary says...
In a class I teach, a student asked me if each week I could bring in something to help them along. Not biscuits, no (we already have biscuits): something he called 'survival tips'. What a strange profession this is. It's the best of everything (freedom, self-expression, creativity) and the not-so-best (financial insecurity, self-doubt, rejection). 7-ON, for me, is a central piece of the 'survival' puzzle: a group of colleagues I can talk to when trying to make sense of the dizzying highs and the dizzying lows. And I suppose what we offer each other are informal survival tips, gleaned from our own experience or the wise words of our peers and playwriting ancestors.

What we want to do this week, with seven days and seven of us, is take turns in offering a 'thought for the day'. Something to inspire you to get to the next page. So, here is Monday's:

A good play I think should always feel as though it's only barely been rescued from the brink of chaos, as though all the yummy nutritious ingredients you've thrown into it have almost-but-not-quite succeeded in overwhelming the design. A play should have barely been rescued from the mess it might just as easily have been; just as each slice of lasagne should stand tall, while at the same time betray its entropic desire towards collapse, just as the lasagne should seem to want to dissolve into meat and cheese stew, so you can marvel all the more at the culinary engineering magic that holds such entropy at bay, that keeps the unstackable firmly, but not too firmly, stacked. A good play, like a good lasagne, should be overstuffed: It has a pomposity, and an over-reach: Its ambitions extend in the direction of not-missing-a-trick, it has a bursting omnipotence up its sleeve, or rather, under its noodles: It is pretentious food.

Tony Kushner (On Pretentiousness, 1995)

Thursday, 16 May 2013

7-ON: GLOBAL DOMINATION


Well, not quite. Not yet. But it's been a big couple of weeks for the 7s in terms of industry recognition.

Working alphabetically, first up we celebrate Donna Abela. She has been working long and hard on ‘Monkey - Journey to the West’, he of the Chinese folktale (familiar from the fabulous ‘70s TV series) with Theatre of Image and Bell Shakespeare. Shows are lined up for 2014 in Brisbane, Melbourne and Sydney. A recent workshop produced this clip, featuring team9lives and the inimitable Darren Gilshenan as Pigsy.

Abela and Bates create a nice alphabetical segue to Triumph #2: Both Donna and Vanessa have plays shortlisted for the Griffin Award, to be announced June 14. They nestle amongst a constellation of other wonderful playwrights Robert Reid, Kate Mulvany and Rosemary Johns. Congrats to all.

The prodigious Bates is also one of the three recipients – along with Patricia Cornelius and Aiden Fennessy – of a coveted spot at Playwriting Australia’s National Script Workshop. Starting this week and running till the end of next week, she is developing her new play ‘Chipper’.

Bell is on the shortlist for Inscription’s Edward Albee Playwriting Scholarship, which I (Hilary here) am very proud to be on with two of my former students, Alison Rooke and Ruth Melville. Winner goes to New York for a month and writes a play!

Janaczewska's play ''Third Person' opens in Melbourne, at the Union House Theatre, next Wednesday, in addition to which, 'Mrs Petrov's Shoe' has just been published by Playlab.

Manning's 'Women Of Troy' will be broadcast on May 21, having been selected for the International Festival of Radio Plays Prix Marulic 2013.

And Zimdahl, our multi-talent, has been selected as a finalist for the international Clifton Art Prize. See her beautiful painting ‘A Tear Magnified to the Power’ here

Stay tuned for the outcomes.

On another note, I thought it worth noting just how many Australian plays are on in Sydney as I type this. Upstairs at Belvoir is Tom Holloway’s ‘Forget Me Not’, and downstairs Lally Katz’s ‘Stories I Want To Tell You In Person’. Griffin, the stalwart champion of new local work, is presenting Van Badham’s ‘The Bull, The Moon and the Coronet of Stars’. There’s the MayDay Playwrights’ Festival at the Tap Gallery (last week was wall-to-wall 7-ON).The Ensemble has just opened David Williamson’s ‘Happiness’, and TRS, ‘The Removalists’. At the Sydney Theatre Company is Joanna Murray-Smith’s ‘Fury’. These are what I can think of without resorting to Google. Anything else I should mention? Drop us a comment. And feel free to open it up to the nation at large: what else is on out there? It’s pretty bloody fantastic to see our own stories, told by our own playwrights, on so many stages all at once.

Monday, 13 May 2013

7-On's Year of Connections


2013 was going to be the ‘Year of Connections’ for 7-ON, following on from our rather successful tilt at a ‘Year of Publication’ in 2012 (No Nudity, Weapons or Naked Flames, published by the wonderful Federation Press, will soon also be available in electronic form for all those digital readers out there).
I think we envisaged ourselves making ties with other playwriting groups internationally, or setting up national links with groups outside the Sydney/Melbourne axis, an especially sensible aim as we are now so spread around the country ourselves.
Some of that has happened/is happening. And we have continued to maintain connections with our various theatre peers and friends.
But there are other ways of looking at this intention. Speaking for myself (it's Verity here), I don’t think I have ever had such a huge year for making and re-making personal connections, ever. It’s been partly personal and partly professional. At moments I feel so 'connected' it's overwhelming. There's also the impact of technological connection, too - I'm gradually overhauling my own technological incompetence - that's important, maybe crucial, in today's world. I've noticed others have been doing this, too.
Only some of it has ‘paid off’ in narrow career terms…as in a series of fabulously lucrative gigs (!) but in terms of give and take, stimulus and the thrill of shared passions and discoveries well, yes it has, and continues to do so.
The Sevens have been travelling, too. I think I have persuaded everyone else that they’ve got to go to Morocco (and I have the address book for them when they do! and a link http://www.writersjourney.com.au/journeys/moroccan-caravan/? for the rest of you...).  Ned has foregrounded Greece as a necessary destination. Noelle travels to the UK for family reasons from time to time. The rest of us get these lovely snippets in her emails from OS full of her characteristic wit and precise observation. Hilary has another life from her days in New York and had the address list available for Vanessa when she went to the US for the PWA Playwrights Exchange. And so on. The power of the group is that as individuals we can facilitate each other’s connections as well as our own.
So 'connecting' might be a long-haul, multi-faceted process. Maybe the ‘Year of Connections’ might end up simply being the bringing of all these established connections to consciousness, and then acting on them. We'll see. It's only May, after all...

Monday, 6 May 2013

7-ON at the Mayday! Playwriting Festival


Just a reminder that 7-ON writers will be featured in the upcoming Mayday! Playwrights' Festival at the Tap Gallery in Darlinghurst. The seasons kicks off on Wednesday the 8th of May. Tickets available at www.maydayplaywrightsfestival.com

And for those of you who don't have bionic vision and need some help reading the details on the poster...


The Season

Three x 1 Week Seasons: 8th- 25th May 2013
Performing Wednesdays - Saturdays,  8pm
The Tap Gallery Theatre, 278 Palmer St, Darlinghurst NSW 2010
75 Minutes (No Interval)

TICKETS: $20/ $15
PLAYWRIGHTS BONUS: Receive a concession priced ticket if you provide the Mayday Box Office Staff with a new play to read.

To purchase tickets:

Week One:  No Nudity, Weapons or Naked Flames
Wednesday, May 8- Saturday, May 11
A collection of provocative works from the award-winning writers of 7-ON
Director: Augusta Supple
Writers: Vanessa Bates, Hilary Bell, Noelle Janaczewska, Ned Manning, Verity Laughton, Donna Abela
Actors: Alice Ansara, Kate Skinner, Jennifer White, Stephen Wilkinson, Megan Drury, Suz Mawer

Week 2: The Solitudes
Wednesday 15 – Saturday 18 May
Directors: Augusta Supple, Mackenzie Steel, Nick Atkins, Ngaire O’Leary, Helen Tonkin, Kai Raisbeck,  Sama Ky Balson, Anthony Skuse, Fiona Hallenan Barker
Writers: Ava Karuso, Noelle Janaczewska, Jonathan Gavin, Melita Rowston, Julia-Rose Lewis, Kate Gaul, Maxine Mellor, Ruth Melville, David Finnigan, Shannon Murdoch
Actors: Ainslie McGlynn, Tom Christopherson, Alex Bryant Smith, Matt Charleston, Lauren Hamilton Neill, Luke Carson, Jan Langford Penny, Sonya Kerr, Aaron Glenane and Claudia Barrie.

Week 3:  Little Gods
Wednesday, May 22- Saturday, May 25
Writer/ Director: Nicholas Hope
Actors: Robert Alexander, Dominic McDonald, Jeremy Waters


Wednesday, 1 May 2013

How we value the arts


That the arts are central to the economy is not an isolated idea, or a new one. It’s one that has widespread support, refuses to go away and needs to be challenged by as many voices as possible, as often as is necessary; especially in these financially pressured times, when it is all too easy to give in to short-term thinking to please those handing out the paltry sums. 
... 
If we were to nurture only that which contributed to the economy it is likely that the safe, the tried and the tested would be funded. It is likely that the new, the risky and experimental would be avoided because the question would not be is it interesting, or good, but what is the expected return?

That’s from a recent article in The Scotsman: Art is for art’s sake, not fuelling the economy. You can read the whole piece here.

If we keep emphasising the economic aspects of the arts—how many people the sector employs, the tourist revenue it brings in, etc—aren’t we shooting ourselves in our collective feet? It may be unfashionable, not what the politicians want to hear, especially in an election year, but shouldn’t we be making cultural and aesthetic arguments? If we don’t, if we keep thinking only, or primarily, in terms of budgets and matters commercial and fiscal, we risk becoming a culturally impoverished society that knows the price of everything and the value of nothing.

No Nudity, Weapons or Naked Flames coming up at the Tap Gallery.

Tuesday, 23 April 2013

No Nudity, Weapons and Naked Flames at the Tap Gallery


Coming up very soon at Sydney’s Tap Gallery is No Nudity,Weapons or Naked Flames. The season is a part of the Mayday! PlaywrightsFestival organised and curated by Augusta Supple and Jeremy Waters. 7-ON takes the first week of the festival with a selection of 6 monologues from our book No Nudity, Weapons or Naked Flames, published by The Federation Press last year.


The program: A Cleansing Force by Donna Abela; The World’s Tiniest Monkey by Vanessa Bates; Delia’s Clothes by Hilary Bell; iSpiderman by Noëlle Janaczewska; Ella by Verity Laughton & SexEd by Ned Manning.

Director: Augusta Supple.

Actors: Alice Ansara, Megan Drury, Suz Mawer, Kate Skinner, Jennifer White & Stephen Wilkinson.

No Nudity, Weapons or Naked Flames runs from Wednesday 8—Saturday 11 May at 8:00 pm. More info about ticket prices etc at the Tap Gallery.

For more info about the Mayday! Playwrights Festival.

Hope to see you at the Tap next month.